By now The King's Singers certainly can record almost anything they want, and this program, focusing on repertoire from the "Golden Age" of Spanish, Portuguese, and Mexican vocal music, grew organically from the group's church concerts. The result is a collection of rarely-heard primarily polyphonic works from the 16th and early 17th centuries, most notably several settings of the text Versa est in luctum (from the Book of Job) and two remarkable and substantial works by Alonso Lobo--Lamentations and Libera me--both notable for their rich textures and vibrant, often surprising harmonies that these six singers exploit to the fullest. The opening work, Crux fidelis, from King John IV of Portugal (1604-56), is an exquisitely crafted hymn that captivates with its gorgeous harmonies interspersed with verses of plainchant. Here all aspects of the singers' impeccable diction, phrasing, blend, balance, and expressive nuance are on display, absolutely clear and with pleasing, natural presence (engineer Mike Hatch, a veteran of so many first rate vocal recordings, also must receive at least some of the credit for this!).

By now The King's Singers certainly can record almost anything they want, and this program, focusing on repertoire from the "Golden Age" of Spanish, Portuguese, and Mexican vocal music, grew organically from the group's church concerts. The result is a collection of rarely-heard primarily polyphonic works from the 16th and early 17th centuries, most notably several settings of the text Versa est in luctum (from the Book of Job) and two remarkable and substantial works by Alonso Lobo--Lamentations and Libera me--both notable for their rich textures and vibrant, often surprising harmonies that these six singers exploit to the fullest. The opening work, Crux fidelis, from King John IV of Portugal (1604-56), is an exquisitely crafted hymn that captivates with its gorgeous harmonies interspersed with verses of plainchant. Here all aspects of the singers' impeccable diction, phrasing, blend, balance, and expressive nuance are on display, absolutely clear and with pleasing, natural presence (engineer Mike Hatch, a veteran of so many first rate vocal recordings, also must receive at least some of the credit for this!).

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Two faiths, two empires, two rulers - colliding in 1588. Papist Spain wants to bring down the heretic Elizabeth. Philip is building an armada but needs a rationale to attack. With covert intrigue, Spain sets a trap for the Queen and her principal secretary, Walsingham, using as a pawn Elizabeth s cousin Mary Stuart, who s under house arrest in the North. The trap springs, and the armada sets sail, to rendezvous with French ground forces and to attack. During these months, the Virgin Queen falls in love with Walter Raleigh, keeping him close to court and away from the sea and America. Is treachery or heroism at his heart? Does loneliness await her passionate majesty?

The Tenth Karmapa (1604-1674) lived through dramatic changes in Tibet, including the rise to political supremacy of the Fifth Dalai Lama and the Gelug sect following a Mongol invasion. Regarded as a remarkable bodhisattva and artist, the Karmapa has largely escaped the close attention of modern scholars.

Julio Iglesias (born Julio Jose Iglesias de la Cueva; September 23, 1943) is a Spanish singer and songwriter who has sold over 300 million records worldwide in 14 languages and released 80 albums, and more than 2,600 gold and platinum records certified. According to Sony Music Entertainment, he is the best-selling Latin music artist in history.

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Artist:
Download Filehost: Unibytes.com, Gigabase.com, Ul.to 7 G.E.M.S. (Seven G.E.M.S.) (Tragic Allies + Tragedy Khadafi)
Album: Golden Era Music Sciences
Year: 2013
Genre: Rap
Bitrate: VBR 192-320 kbps
Format: MP3
Tracks: 16
Size: 124 mb